文化统战、知识生产与场域重构:抗战时期夏衍在香港的文艺实践--以其报刊出版、编辑策略为中心的考察
Cultural United Front、 Knowledge Production and Field Reconstruction: XiaYan's Artistic Practice in Hong Kong during the War of Resistance againstJapanese AggressionAn investigation centered on its strategies for newspaperand periodical publishing and editing
作者: 吴婧雯 孙月梅(西北师范大学传媒学院，甘肃兰州730070)
关键词: 战争时期;香港文艺活动;夏衍;编辑报刊 War period; Hong Kong cultural and artistic activities;,Xia Yan; Edit newspapersand periodicals
摘要:作为左翼文化的媒介实践者，夏衍在全面抗战构建的跨区域文艺统战网络，呈现出战时知识分子参与意识形态询唤的特殊范式。本文聚焦其1941年香港沦陷前夜与1946年战后重返香港两个关键时段，通过实证考辨<<华商报.灯塔>>副刊的编辑策略、<<群众>>周刊文艺栏的组稿机制，以及<<春寒>><<法西斯细菌>>等战时文本的生产，揭示夏衍如何借助报刊媒介在殖民都市香港构建离散型文化空间，完成无产阶级文艺话语的在地转化，并通过报告文学与历史剧创作实践重构革命现实主义的美学范式。
Abstract: As a media practitioner of left-wing culture, Xia Yan, in the cross-regional literaryand artistic united front network he constructed during the full-scale War of Resistance againstJapanese Aggression, presented a special model of intellectuals' participation in ideologicalinquiries during the war. This article focuses on two crucial periods: the eve of Hong Kong'sfall in 1941 and its return to Hong Kong after the war in 1946. Through empirical examination,it examines the editorial strategies of the "Lighthouse" supplement of the Huashang Daily, thecontribution solicitation mechanism of the literature and art column of the "Masses" Weekly, aswell as the production of wartime texts such as "Spring Cold" and "Fascist Bacteria". Revealinghow Xia Yan utilized the media of newspapers and periodicals to construct a discrete culturalspace in the colonial metropolis of Hong Kong, complete the local transformation of proletarianliterary and artistic discourse, and reconstruct the aesthetic paradigm of revolutionary realismthrough the practice of reportage literature and historical drama creation.
