从《心迷宫》到《爆裂无声》:忻钰坤电影的空间叙事与社会批判
From "Labyrinth of the Heart" to "Silent Burst":Spatial Narrative and Social Criticism in Xin Yukun's Films
作者: 孔杰(西北师范大学，甘肃兰州，730000)
关键词: 忻钰坤;空间叙事;犯罪悬疑片;异托邦 Xin Yukun; Spatial narrative; Crime and suspense film , Heterotopia
摘要:本文以忻钰坤执导的<<心迷宫>>与<<爆裂无声>>为研究对象，运用空间叙事学理论，融合列斐伏尔"社会空间生产"、福柯"异托邦"等概念，系统分析两部影片中城乡空间的并置策略、符号隐喻及功能异化，探究空间叙事如何成为解构中国社会阶级矛盾、宗法伦理溃散与人性困境的核心工具。研究发现:忻钰坤通过乡土宗法空间(祠堂、坟地、村落)的解构与城乡空间(城市资本空间、乡村贫困空间)的对比，构建了視觉化的社会批判路径，革新了犯罪类型片的叙事逻辑，形成"空间悬念创作范式;其作品既为新媒体时代悬疑类影视(网剧、微短剧等)提供了空间叙事创新范本，也凭借对转型期社会现实的聚焦，强化了类型片的社会反思价值。
Abstract: This paper takes Xin Yukun's films "The Labyrinth of the Heart" and "SilentDetonation" as the research objects. By applying the theory of spatial narnarology andintegrating concepts such as Lefebour's "social space production" and Foucault's "heterotopha",it systematically analyzes the juxtaposition strategies, symbolic metaphors, and functionalalienation of urban and rural Spaces in the two films. Explore how spatial narrative has becomea core tool for deconstructing class contradictions, the collapse of patriarchal ethics and the predicaments of human nature in Chinese society. The research finds that Xin Yukun, throughthe deconstruction of the rural patriarchal space (ancestral halls, cemeteries, villages) and thecomparison with the urban-rural space (urban capital space, rural poverty space),has constructeda visualized social critical path, innovated the narrative logic of crime genre films, and formeda "spatial suspense creation paradigm". His works not only provide a model of spatial narrativeinnovation for suspense films and TV series(such as online dramas and micro-short dramas) inthe new media era, but also strengthen the social reflection value of genre films by focusing onthe social reality during the transitional period.
